Saturday 21 May 2016

Evaluation

I have really enjoyed this unit. Although a lot of my work was very laborious, time consuming and mildly eye-sight destroying, I am really proud of the samples and final pieces I have produced. I feel like continuing my project using my colour based research from practice unit, meant I had a chance to really develop my stitch work.
Experimenting with different fabrics has been interesting and I found using machines to explore the qualities of my hand stitch to be very satisfying. I was pleased I managed to achieve the same intensity of colour with machine embroidery as I have in my darning and could make them at ten times the speed.
My final pieces are not what I expected to produce, but were reached through experimentation and I love the outcome. They reflect what initially inspired them (traditional embroidery samplers) and they offer the white space needed to allow you to focus on the detail.
Being entered into the Colour Competition run by the Society of Dying and Colourists was an excellent opportunity to learn about how to present my work for a specific brief and although I’m not sure what I entered was entirely appropriate to the brief I was forced to come up with creative solutions to avoid mounting white on white, keep within the four A2 board limit and trying to show my work as appropriate for a sustainable fashion context. I was very pleased to receive a judges High Commendation Award.
Having learnt from the Colour Competition I have created a well presented portfolio that allows you to see the front and back of my samples and gives each sample enough space to be appreciated. I have also been able to make sure you can see the narrative running through my work, being sure to include visualisation and drawings.
Although I really struggle with presenting my work, because of the hand drawn qualities and lack of uniformity, I feel like this unit I have made leaps with my presentational skills. Window frame mounting was not my favourite task, however it seems only appropriate that time-consuming presentation would be required for time-consuming samples.
I was also fortunate enough to have my samples picked to be displayed in the TIP in Progress Show which helped me see my samples in an exhibition context and gave me inspiration for how I might present my work at the Degree Show.

Finally having shown my four final pieces to the curators of the Gawthorpe Hall brief from Practice unit I have been offered the chance to exhibit in the Knit and Stitch Show 2016 alongside Manchester School of Art students and staff. I have been asked to create a larger scale, around 2 meter square piece with lots of my little pieces of darning. This is an exciting opportunity and will keep my practice ticking over after graduation, I plan to man the stand at both the London and Harrogate show with the hope that more opportunities will arise. 

Sunday 8 May 2016

Finishing Touches

I have completed all four of my long samplers. The processes have been painstakingly slow, and the detail is minute but I think I have enjoyed creating larger compositional pieces. The intense colour works really well in the white/neutral space and I am really pleased with the outcomes.


This week I'm figuring out how my work will sit within the degree show. Having spoken to my tutor and attending a portfolio session I think it would be best if I could show my work hanging and laying on a table. All of this consideration has also lead me to think about the edges and finishing of my pieces. In order to try and ensure all my darning sits as it should, I have been testing out fabric starch and whether this would help fix my final pieces. However I think once the pieces are well pressed they should work fine without fabric stiffener, which ruins the drape of the fabrics. I am also having to experiment a little with the edging of my fabrics, finding the most effective solution being just to fray and trim the edges.

I got to see my samples displayed as part of the TIP in Progress show in the art school, neatly rolled in a glass cabinet. I think this is how my samples will be displayed on a table at the degree show if this is the kind of space I'm allocated.


I have also decided to create a collection of singular samples that can site alone. I enjoy displaying these as a kind of patchwork:


I may suggest this way of working for my large piece for the Knit and Stitch show.

I need to make some executive decisions about my portfolio this week - what size it will be A3 or A2 in consideration of how small my samples are. Whether samples need to be mounted or simply presented in a box. I also need to make a decision about the colour of paper things should be mounted on, whether grey like I used for the colour competition would be more appropriate or white.