Thursday 25 February 2016

Developing work for unit X

This unit I am going to develop some of the techniques inspired by my work for Gawthorpe Hall. I have created some more drawings based on research into old/traditional embroidery techniques, combined with my unique use of colour, inspired by my research into combating colour blindness and chromophobia. I am choosing specifically to focus more on patterns found in traditional darning and needleweaving.
Embroidered by Marie Terese Fourbisseur found in the Cooper Hewitt Collection: http://collection.cooperhewitt.org/objects/18489513/
Because my work is based on colour, my tutor thought it would be appropriate to enter me into the International Colour Competition run by the Society of Dying and Colourists. This was an absolutely amazing experience, and forced me to address how I present my work. I had very little time to throw together four boards that explained my samples. I also had to show that my work could be applied to a fashion context. This meant doing some visualisations and showing the process to reach them. I also had to make some executive decisions about the best way to present my boards. After some discussion with a few tutors we came to the conclusion it would be best to present my work onto a grey background instead of white because of the nature of my samples.




Not only did I enjoy a dye workshop and an excellent lecture on colour theory, but I also came away with a certificate of High Commendation from the judges as they we impressed with time, intricacy and detail that had gone into my work.

Although I think the techniques I used for Gawthorpe are very effective and create something really unique, the process is truly painstakingly slow. After a bit of fabric exploration I've found a handful of fabrics that have just the right weave, that I can snip out the weft. This speeds up the process slightly without losing the intricacy.



I have also entered some of my samples from the practice unit to be displayed as part of the TIP in Progress show in the art school. Although the brief for this show is large scale pieces, it is good they have offered to show smaller samples also. I hope my samples will be picked, they work well as a small collection so that might give them an edge.

Sunday 7 February 2016

Evaluation


I have really enjoyed this unit. I feel like I started with a really strong concept that I was able to keep producing new and original visual research for. I have also enjoyed creating work without the restrictions of context to dictate my fabric decisions allowing to really focus on developing my aesthetic for my samples. Although I have enjoyed this freedom by designing a collection of samples, I feel like next unit it would be interesting to make a range of final products. It would be interesting to make some fashion or interiors products and see how that dictates what fabrics I use and the decision making process. I also feel like I have become more open-minded to seeing my work as exhibition pieces and really look forward to the opportunity to exhibit my work in two exhibitions. This is a direction I’ve never really considered before but I have enjoyed working this way. 
I really enjoyed producing a body of visual research, which is often something I struggle with so I’m glad I have improved in this area. I feel like all the work I have created is linked and has an obvious progression. 
Gawthorpe Hall has probably been my favourite part of this unit and I’m really proud of the samples I’ve produced. I think this is because I was reacting to visual stimulus as well as basing my work around a concept. I also just find textile archives absolutely fascinating so it was quite exciting to get to do a project on one. I hope to carry this project forward to unit X and hope my work is chosen by the curators at Gawthorpe. 
I also feel like next unit it would be really interesting to develop my darning technique. I think the old fashioned technique has so many variations and it would be interesting to see how far I could push it, perhaps changing the scale and experimenting with different materials. 
I would also like to expand my concept slightly to look more into the science behind how we see colours, the idea of chromophobia and I would like to do some research into colour forecasting. I feel like these would be appropriate steps forward and could lead to some really interesting projects.