Monday 18 May 2015

Reflections



This project has seemed backwards from our usual units. We had to come up with a context before we started sampling. I did not find this useful, because although I made the decision to make scarves I feel the work I produced equally fits an interior context as shown here:







I feel this way of working does not suit me very well because I feel like the fabric I create is more just a design to be bought and for the individual to decide its purpose, so assigning my ideas a product felt strange and limiting.

However deciding a final context did help some of the decision making such as materials and in terms of keeping the length of time each scarf took to make down, in consideration of keeping costs of labour reasonable and the overall price. Also choosing a “high end/designer” context helped me refine my fabric choices and to inform my scarf designs forcing them to have simplicity.  
I enjoyed doing visual research and allowed it to fully inform decisions such as fabric and techniques used. I found myself feeling more confident with this element of the unit than I have done previously and look forward to practising it over summer. I enjoyed the activities that allowed us to meet new people and see a variety of work, as I have mentioned in earlier posts, had I done these maybe a few weeks before having to make the decision of whether to collaborate, I think I would have done and enjoyed doing so. As for tutorials and feedback, I felt I was challenged as an embroidery student with little to no contact with even a textiles tutor, or other embroidery students during tutorials. However this did not deter me from taking part in feedback sessions and attempting to give feedback on things I felt I knew little about. It was nice that 3D and graphics students asked my opinion on their products as a fresh pair of eyes to their work and the processes available to them.  Finally I really enjoyed the experience of putting up the exhibition at the Federation House, helping people decide the best way to present their work and coming up with creative solutions to achieve that.

I feel I have developed massively in terms of contextual understanding, taking time to refine my use of colour (which would otherwise been much more eclectic) to suit the style of the high end/designer shop as well as making sure I use high quality fabrics. I feel like I better understand the importance of dying fabrics myself instead of using shop bought, which also comes from the desire to create a high quality/designer product.

My primary motivation for decision making was my visual research, when it came to making decisions about refining my work I was then motivated by my context. I also feel I considered the three words “personal, intelligent and playful” given to us in the brief as well as the idea of “limited edition”.


I am pleased with the choices I made regarding my materials and processes, they made excellent functional products. If I had more time and money I would like to have expanded my selection of designs that played with scale. Also I would have liked to develop a label or packaging for my product. Although my digital skills have improved since last unit, I feel designing packaging for myself would have been difficult in the time limit.
In the future I will be more confident in creating a final product in order to visualise a context but intend to take full advantage of sampling during future projects. I would also like to collaborate in future projects and might do so in order to brand myself.


Friday 1 May 2015

Investigations

After some reflection over Easter and doing some samples, I have decided my product should be a scarf. I have produced some hand and machine samples using fabrics and embellishments suitable for this context.
Here I have hand sewn beads arranged so that they best represent "Plato's Disco" and it's shadow. I like this sample because of the heavy weight of the beads against the light Dupion silk fabric and the way this would affect the drape of a scarf:



This sample is cotton threads sewn down on water soluble fabric which I have then sewn 2/16 ply yarns across the empty spaces. Although I love this sample, the stitching is too heavyweight for use on a scarf and I fear if I were to try with less stitching it would not hold it's structure:




This a combination of the thicker 2/16 ply yarns and the variegated threads delicately stitched on the Irish machine. This creates a very bold impact and I think I will use to embellish the end of my scarves:


This sample is a variation on traditional kantha stitch using colour change thread to create diamond shapes:


Finally this is hand dyed patches of light cotton that I have sewn with contrasting grey thread using blanket stitch on the PFAFF machine:




A lot of the samples I have done produce a messy back so I did some embroidered scarf research to see how others have tackled this issue. I found Siobhan O’Brien, I really like her embroidered scarves.


Here she has used different coloured panels to make a double sided patchwork scarf.

So I have decided to make double sided scarves made up of patchwork panels, I need to buy my fabrics (I have decided on silk linen and dupion silk) and then cut these up into patches to be dyed separately both tonal greys and one side of a scarf to be brighter colours. I then need to get in the machine rooms and construct each side, embroider each side and then finally sew the scarves together.


After doing a narrative workshop with Alice Kettle I have realised how much more value is added to an object if it has a strong narrative. If I were to make packaging I would tell the story of my scarves, where they took their inspiration and the processes I have used to make them.
This workshop also taught me the benefits of collaboration. It was fun and interesting seeing what was inspired in other people’s minds by the objects we were given.

So far all of my tutorials have been with 3D tutors and predominantly 3D students. This has proven very interesting in terms of the kinds of suggestion I've got from them that seem focused on things like the final product and garment structure as apposed to advice concerning techniques, suggesting materials, sampling and alternatives to finished products. This focus is a new perspective and I think it's motivating me to produce a different kind of work.